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Jo Model to face no motion over acid joke, police say – NEWPAPER24



Jo Model to face no motion over acid joke, police say

2019-06-14 21:02:32

Picture copyright PA
Picture caption Jo Model stated the joke was “crass and ill-judged”

The Metropolitan Police has stated it can take no additional motion over Jo Model’s feedback on a radio present about throwing battery acid at politicians.

The comic was accused of inciting violence after joking on Newpaper24 Radio 4’s Heresy about throwing acid as a substitute of milkshakes at “disagreeable characters”.

She later apologised for what she known as a “crass and ill-judged” joke.

The present’s creator, David Baddiel, stated the Newpaper24 was “cowardly” for eradicating the joke from a repeat of the episode.

Brexit Get together chief Nigel Farage, who had milkshake thrown over him through the European election marketing campaign in Could, has accused Model of inciting violence, though he didn’t say who in opposition to.

Writing on Twitter, he added: “I’m sick to demise of overpaid, left-wing, so-called comedians on the Newpaper24 who suppose their view is morally superior. Are you able to think about the response if I had stated the identical factor as Jo Model?”

Within the episode of the Heresy broadcast on Tuesday, Model instructed presenter Victoria Coren Mitchell that individuals who attacked “disagreeable figures” with milkshakes have been “pathetic”, including: “Why trouble with a milkshake when you may get some battery acid?”

The comedian then went on to instantly clarify she was joking and criticised the milkshake stunts.

“I am not going to do it,” she stated. “It is purely a fantasy, however I believe milkshakes are pathetic, I truthfully do, sorry.”

Her follow-up feedback have been edited out of widely-shared clips on social media.

Ofcom stated it obtained 65 complaints in regards to the episode.

Picture copyright Newpaper24
Picture caption Mr Farage has been focused by protesters

Showing later at Henley Literary Competition, Model stated: “Wanting again on it I believe it was a considerably crass and an ill-judged joke.”

She added: “Nigel Farage tweeted the primary bit that I stated with out the second bit after I apologised and stated it was a joke and never one thing I might encourage.

“The present scenario is I am being chased round England and being requested if I really feel I ought to apologise. I felt I apologised for it as I did it on the night time. I am a human being and other people make errors. I apologise to all of the individuals who I’ve offended.”

The Solar stated she added: “I do not suppose it is a mistake. If you happen to suppose it’s I am completely satisfied to just accept that.

“Feminine politicians and public figures are threatened day in, time out, with far worse issues than battery acid… rape, homicide and what have you ever.

“At the very least I am right here and attempting to elucidate what I did. I do not suppose I’ve anybody to reply to. Nigel Farage wasn’t even talked about by me on the night time so why he has taken it upon himself I do not know.”

Picture copyright Ian West/PA Wire
Picture caption David Baddiel created the long-running satirical radio present

Mr Baddiel instructed Newpaper24’s Newsnight the broadcaster was incorrect to edit the joke out of a repeat of the programme.

He stated: “I do not suppose I might have nipped it out. Morally incorrect? I am unsure. I believe they’re simply attempting to not trigger hassle.

“If it was as much as me, I might have saved that line in for the repeat. Other than something, it’s kind of foolish when it is had huge protection to chop it out – that appears a bit cowardly.”

The broadcaster stated on Thursday it regretted any offence brought about and that, though comedy “will at all times push boundaries”, the programme was “by no means supposed to encourage or condone violence”.

In an announcement launched on Friday, the Met stated: “Police obtained an allegation of incitement to violence on 13 June, referring to feedback made on a radio programme.

“The referral has been thought of by the MPS and no additional police motion shall be taken in relation to this allegation.”

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The place is Leonardo da Vinci’s ‘Salvator Mundi’? – NEWPAPER24




The place is Leonardo da Vinci’s ‘Salvator Mundi’?

2019-06-16 02:32:04

Written by Oscar Holland, Newpaper24

When bids for Leonardo da Vinci’s “Salvator Mundi” hit $200 million there was an audible gasp within the public sale room. On the $300 million mark, onlookers broke into applause.

By the point the portray offered for $450.three million, Christie’s in New York had witnessed one of the vital dramatic moments in current artwork historical past. As soon as dismissed as a duplicate and offered for simply £45 ($57) within the 1950s, this mysterious depiction of Christ had turn into — by some appreciable margin — the most costly art work ever to look at public sale.

And the drama did not cease there.

“Salvator Mundi” hasn’t been seen in public since that night in November 2017. Its whereabouts have turn into the supply of intense hypothesis after the Louvre Abu Dhabi, which had beforehand introduced it will show the portray, final 12 months postponed the grand unveiling with out clarification.

Bidding hits $400 million at Christie’s in New York in November 2017. After charges, the portray’s closing sale value was $450.three million. Credit score: Eduardo Munoz Alvarez/Getty Pictures

The most typical principle is that the 500-year-old art work is sitting in storage in Switzerland — particularly in Geneva, the place, in response to The New York Occasions, greater than 1,000,000 artistic endeavors are stored in secretive tax-free warehouses by collectors and galleries. However final week, one other principle emerged in an opinion piece by artwork supplier Kenny Schachter printed on Artnet: that the final recognized privately-held Leonardo is on a luxurious yacht owned by Saudi Arabia’s Crown Prince Mohammad Bin Salman.
It’s extensively thought that the record-breaking bid was made on behalf of bin Salman by his pal, ally and fellow Saudi prince, Badr bin Abdullah bin Mohammed bin Farhan al-Saud. Shortly after the allegation emerged in 2017, the Saudi Embassy in Washington printed a press release claiming that Prince Badr had, in reality, been requested to behave as an middleman for the Abu Dhabi Division of Tradition and Tourism, not the crown prince. However bin Salman, usually referred to as MBS, has himself by no means publicly confirmed or denied his function within the buy.

Artwork world thriller

The yacht story is probably not as farfetched because it appears, in response to Ben Lewis, writer of “The Final Leonardo,” a e-book detailing the thriller and controversy surrounding the portray.

“It is both on the yacht or in a Geneva lock-up, and I am slowly coming to the conclusion that the yacht is basically fairly believable,” he mentioned in a telephone interview, including: “However I might counsel that it is probably not the most secure surroundings during which to hold up this image.”

Lewis’ rising conviction facilities on an account by Dianne Modestini, the conservator answerable for restoring the “Salvator Mundi” forward of the $450 million sale. She advised Newpaper24 that, a few 12 months after the public sale, she was contacted by a Swiss restorer searching for recommendation on the best way to safely transport the delicate portray to France, with the suggestion it was headed for the Louvre in Paris.

But, the portray seems to have by no means arrived — or not on the Louvre, not less than. (The museum confirmed to Newpaper24 that the Abu Dhabi authorities has not but responded to its request to borrow the art work.)


The “Salvator Mundi” on show in New York forward of the 2017 public sale. Credit score: Newpaper24 Contributor/Newpaper24/Newpaper24/Getty Pictures

In fact, the truth that logistical inquiries have been made doesn’t suggest the “Salvator Mundi” was moved in any respect. And Modestini mentioned that, following preliminary exchanges with the Swiss conservator, a subsequent inspection of the work was referred to as off, “which indicated to me, not less than, that the deliberate switch of the portray … was canceled,” she mentioned in an e mail.

“In fact, one thing else might have occurred since then. I discover it onerous to think about that an insurance coverage firm would comply with cowl it in the event that they knew it was going to (be) stored on a yacht. However that’s simply hypothesis on my half.”

“Personally, I do not discover the story significantly credible,” she added.

Schachter, who would solely reveal that the alleged switch to bin Salman’s yacht occurred “inside the final 12 months,” countered: “You possibly can insure something anyplace, you are able to do something you need so long as you pay the cash.”

A matter of attribution

That is simply the newest in a maelstrom of rumors and conspiracy theories which have swirled across the portray. How a lot credence to afford any of them is clearly up for debate.

However the world curiosity in such claims speaks to the artwork world’s obsession with the portray’s whereabouts. And far of the hypothesis round why the portray has remained hidden facilities on its attribution.

For hundreds of years, the “Salvator Mundi” was believed to be both a duplicate, or the work of one of many Italian grasp’s assistants. However in 2005, a consortium led by artwork sellers Robert Simon and Alexander Parrish bought the work for underneath $10,000 within the hope it could be revealed to be an genuine Leonardo.

After they tasked Modestini with restoring the art work, it was in dire situation — it had been closely overpainted and its wooden paneling badly broken. Solely after the restoration was full was the portray declared a real Leonardo.

In 2011, following six years of investigation and authentication analysis, the Nationwide Gallery in London unveiled the newly restored portray at its Leonardo exhibition. A Christie’s account of this course of describes “broad” and “unusually uniform” consensus that it was Leonardo’s work.

How do artwork auctions actually work?

But the portray’s attribution has been questioned by a number of artwork historians. Collaborative efforts between Leonardo and his assistants weren’t unusual, and whereas few consultants completely low cost the Italian grasp’s involvement, some imagine the “Salvator Mundi” ought to, on the very least, be partly attributed to his workshop.

Students who again the authentication level to hallmarks of Leonardo’s craft: the skillful depiction of Christ’s raised hand, the “sfumato” portray approach used on his face, and using pigments and panels in line with the artist’s oeuvre. The existence of a hidden thumb (a “pentimento,” or “second thought” whereby a painter adjustments his or her thoughts) suggests, to some, that the portray can’t be a duplicate.

Different historic proof can also be often cited, such because the existence of preparatory drawings by Leonardo and a 1650 etching of the “Salvator Mundi” by the printmaker Wenceslaus Hollar, who claims to have sketched from the unique and straight credited the Italian grasp.

“The image, in numerous key areas, exhibits what I name Leonardo’s ‘science of artwork,'” mentioned Martin Kemp, a Leonardo scholar, in a telephone interview.

“That’s to say: His understanding of assorted points of nature and the way it may be recreated (manifests) in a manner that not one of the copyists actually perceive. Certainly, (Leonardo’s) fast followers within the studio did not have that degree of mental understanding of science, optics, anatomy, dynamics and so forth.

“On the idea of what I’ve seen within the image, in extremely high-resolution digital, within the scientific examination and within the images of it when it was being conserved, I do not rule out the potential of studio participation,” mentioned Kemp, who is ready to publish a e-book on the topic later this 12 months. “However I can not outline any areas that I might say are studio work.”

Scholarly disputes

Others are much less sure. Quite a few writers and students have crammed the silence surrounding the portray with various theories.

Lewis believes that the art work is “Leonardo plus workshop — and little or no Leonardo.” Oxford College historian Matthew Landrus, in the meantime, has claimed that solely about 5% to 20% of the portray was accomplished by Leonardo (“It’s a Leonardo portray with the assistance of workshop assistants,” he advised Newpaper24 final 12 months, attributing credit score to the painter’s assistant Bernardino Luini).
Metropolitan Museum of Artwork curator Carmen Bambach — who, together with Kemp, was one among a small variety of students invited to look at the portray on the Nationwide Gallery in 2008 — is predicted to credit score one other assistant, Giovanni Antonio Boltraffio, in her forthcoming e-book.
In keeping with Lewis, there may be not solely disagreement within the wider artwork neighborhood, but additionally among the many small group of consultants that inspected the portray in 2008 — a gathering he described as “completely essential” within the choice to attribute the work to Leonardo. Certainly, in feedback printed within the Guardian, Bambach has since criticized Christie’s for together with her identify in its cataloging, saying that she didn’t expressly again the attribution on the assembly.

Christie’s didn’t straight reply to Banbach’s criticisms, however a spokesperson for the public sale home advised Newpaper24 in an e mail: “The attribution to Leonardo was established nearly ten years previous to sale by earlier homeowners in preparation for the portray’s inclusion within the Nationwide Gallery present … Whereas we acknowledge that this portray is a topic of huge public opinion, no new opinion or hypothesis because the 2017 sale at Christie’s has prompted us to revisit this place.”


The “Salvator Mundi” is the supply of ongoing debate between students and artwork historians. Credit score: Drew Angerer/Getty Pictures North America/Getty Pictures

Kemp described Lewis’ account of the assembly as “utterly spurious,” saying that “we weren’t requested to vote and say (whether or not it was a Leonardo) … It was a really managed, accountable course of. I used to be put underneath no strain in any respect to precise an opinion.”

In a press release emailed to Newpaper24, the Nationwide Gallery defended the choice to attribute the portray to Leonardo in its 2011 exhibition, saying it “makes cautious consideration earlier than together with any mortgage in an exhibition.”

“It weighs up the benefit in together with it — the profit to the general public in seeing the work, the benefit to the argument and scholarship of the exhibition as an entire,” the assertion continued. “On that event we felt that it will be of nice curiosity to incorporate ‘Salvator Mundi’ in (the exhibition) as a brand new discovery because it was an vital alternative to check a brand new attribution by direct comparability with works universally accepted as Leonardo’s.”

Amid the disputes, what’s much less debatable is that any change in attribution can be massively damaging to the art work’s worth — in addition to the credibility of establishments concerned in its authentication. Lewis, who mentioned that “as a workshop portray this image would fetch between $1.5 and $20 million,” additionally speculated that the present proprietor could also be protecting the art work hidden to guard it from additional scrutiny.

“I feel (the proprietor is) apprehensive about exposing the portray to the oxygen of public show,” he mentioned. “What’s that going to do? A lot of folks can come and talk about whether or not it is a Leonardo or not … the image would are available in for lots of criticism. I feel its authenticity can be argued over.

“The easy truth is that the world’s best Leonardo consultants are divided in regards to the attribution of this portray.”

Wealthy provenance

For all the general public wrangling over its attribution, fascination with the “Salvator Mundi” initially stemmed from its outstanding historical past.

Thought to have been commissioned by Louis XII of France, the art work was later owned by England’s Charles I. Some historians imagine it was later stored within the non-public chambers of Charles II’s spouse, Henrietta Maria.

However the portray’s storied previous can also be crammed with lengthy durations during which — like right this moment — its whereabouts have been unknown.

The “Salvator Mundi” was unaccounted for between 1763 and 1900, when it was acquired by the painter and collector Sir Charles Robinson (at which era it was nonetheless being credited because the work of Luini). It offered at Sotheby’s in 1958 for simply £45 (roughly $57), after which once more disappeared earlier than resurfacing at a small public sale home within the US.

It was right here that Simon and Parrish took their gamble. And in 2013, following the portray’s authentication, they offered it for $80 million (greater than 8,000 instances what that they had paid for it) to Swiss artwork supplier Yves Bouvier, who, shortly after, offered it to Russian businessman Dmitry Rybolovlev for $127.5 million.

This rags-to-riches story — coupled with the portray’s wealthy provenance and the truth that it is thought of one among round 20 surviving Leonardo works — proves, maybe, that the worth of an art work is as a lot about its story as its aesthetic worth.

However current twists on this outstanding story might have had the other impact.

“I feel it will be very tough to promote it now for $450 million,” Lewis mentioned. “It could simply be unattainable — it is too controversial.”

The Saudi authorities and the Louvre Abu Dhabi had not responded to Newpaper24’s requests for remark on the time of publication.

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US Open: Justin Rose trails Gary Woodland by one, Rory McIlroy in rivalry – NEWPAPER24




US Open: Justin Rose trails Gary Woodland by one, Rory McIlroy in rivalry

2019-06-16 02:21:51

Justin Rose made 5 birdies in a spherical of 68 on Saturday
Third-round leaderboard
-11 G Woodland (US); -10 J Rose (Eng); -7 B Koepka (US), C Reavie (US); L Oosthuizen (SA); -6 R McIlroy (NI); -5 M Kuchar (US), C Hadley
Chosen others: -4 D Willett (Eng), G McDowell (NI), J Rahm (Spa), M Wallace (Eng); -2 D Johnson (US); -1 M Fitzpatrick (Eng); Degree T Woods (US), T Hatton (Eng).

England’s Justin Rose sits one shot off the lead held by American Gary Woodland heading into the ultimate day of the 119th US Open at Pebble Seashore.

The 2013 champion rolled in a birdie on the 18th to maneuver to 10 underneath par after an enthralling day in California.

World primary Brooks Koepka, chasing a 3rd successive US Open victory, is three additional again with Chez Reavie and Louis Oosthuizen at seven underneath par.

Rory McIlroy birdie the final to card a one-under 70 and attain six underneath.

Fellow Northern Irishman Graeme McDowell, US Open winner at this venue in 2010, holed an eagle putt on the final to enhance his rating to 4 underneath.

England’s Danny Willett earlier shot the spherical of the day with a 67 however Masters champion Tiger Woods was left pissed off by a stage par providing that included 5 birdies and as many bogeys.

World quantity two Dustin Johnson seemed set to make his transfer after successive birdies on the third and fourth holes, just for the 2016 champion to instantly drop a shot and a bogey at 16 left him at two underneath for the match, alongside reigning Open champion Francesco Molinari.

Rose reels in Woodland as Koepka lurks

On one other cool, overcast day by the Pacific Ocean issues had been starting to scorching up within the discipline as Woodland opened his result in 4 strokes earlier than Rose reeled the world quantity 25 again in.

Koepka missed quite a few birdie alternatives to shut the hole himself however nonetheless managed to card his finest spherical of the week with a bogey-free 68 and stated afterwards he’ll “benefit from the stress” of making an attempt to win a fifth main on Sunday.

In a dramatic jiffy, Woodland saved par with a chip-in from the fringes on the par-three 12th, Rose drained a birdie putt on the identical gap and Koepka scrambled for a par of his personal with a mammoth putt on the 15th.

Woodland holed one other large par-saver from greater than 40 ft on the 14th however Rose stepped as much as shut the hole to 2 with a birdie, whereas Koepka was left having to navigate the tree in the midst of the 18th fairway – he ultimately made par to signal for a bogey-free three-under 68.

Woodland, whose had solely his second bogey in three rounds on the eighth on Saturday, missed a birdie putt on the final after which noticed Rose sink his personal effort to maneuver inside one stroke of the lead.

“The tougher the shot the higher I performed. I stepped up on sure events,” stated the 38-year-old, who expects Sunday’s closing spherical to be extra of a “psychological” problem.

“I have not had my A recreation all week, won’t have it tomorrow, and it is likely to be that sort of day the place it’s important to be as mentally sturdy as you possibly can.”

Woodland is trying to win the primary main of his profession having by no means completed inside the highest 20 at a US Open and seeing his finest end at a serious come ultimately yr’s US PGA Championship, the place he tied for sixth after holding the midway lead.

The 35-year-old from Kansas, who has received three PGA Tour titles since turning skilled in 2007, says he’s “excited with the place my recreation is at”.

“You might be at a serious and main after three days,” he stated. “I am very snug with my recreation and right here at Pebble Seashore.”

Extra to comply with.

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Massachusetts restaurant finds uncommon blue lobster in cargo, plans to donate to aquarium – NEWPAPER24




Massachusetts restaurant finds uncommon blue lobster in cargo, plans to donate to aquarium

2019-06-16 01:07:16

It was one in every of many lobsters ordered by his restaurant, Arnold’s Lobster and Clam Bar, in Eastham, Massachusetts — besides this one was blue.

“I stated, ‘I believe we have now one thing particular right here.’ I could not imagine the colour,” Nickerson advised Newpaper24. “Everybody was circling round it, simply questioning, ‘How did this occur?'”

The restaurant proprietor stated he plans to maintain it on show on the restaurant for about one other week till he donates it to an aquarium. By permitting guests to see the lobster, he hopes to encourage the youthful era’s appreciation for marine life.

“I need the kids to see … (and) be focused on marine life and that is one strategy to get them enthusiastic about it,” Nickerson stated. “Possibly one can develop into the subsequent marine biologist.”

He has a selected aquarium in thoughts

Nickerson hopes to donate it to the aquarium opening later this yr in St. Louis.

“I would like to offer the blue lobster to the St. Louis aquarium out of respect to the St. Louis Blues, who gained the championship, to point out that Bruins followers have class,” Nickerson stated.

“We wish this lobster to remain alive and keep secure.”

Although many individuals have urged him to launch the lobster again into the wild, Nickerson stated he would not suppose that is possible as a result of the waters surrounding Cape Cod have a sandy backside. This is able to in all probability be onerous for a lobster to outlive in.

“There is no place for the lobster to cover. They like rocky bottoms, and likewise there are literally thousands of lobster traps on the market now,” Nickerson stated. “I am certain it is going to get picked up once more.”

Blue lobsters are extraordinarily uncommon

About 1 of each 2 million lobsters is blue, the College of Maine’s Lobster Institute says.

Lobsters are usually reddish brown or greenish brown, and the uncommon blue coloration of this one comes from a genetic defect that causes the creature to overproduce a selected protein, in line with the lobster institute.

“Lobsters are unimaginable creatures,” Nickerson stated. “They’ll dwell down a whole bunch, hundreds of ft within the water, the place it is so chilly.”

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